The New Gothic Revival

The New Gothic Revival

I grew up an organic time, close to nature. Mothers stayed home to take care of the children. We played outside, ran through the woods, played games in the streets, stayed out until twilight when we were called in for supper. Television only came in black and white. I remember my grandparents on my father’s side, rather medieval French Canadians who took my brother and I to a cathedral to attend High Mass sung in Latin — well they had the first color TV I’d ever seen. At Christmas we gathered around it to watch the Wizard of Oz waiting in breathless anticipation for the moment when Dorothy opened the door to Oz, seen in full technicolor for the first time.

I’m not sure about other kids, but I was a voracious reader. My father encouraged me, giving me all the classics as well as the new phenomenon The Lord of the Rings trilogy. I spent my whole 10th summer reading it. For me that book paled in comparison to Titus Groan and the much more Gothic Gormenghast Trilogy. I loved fairy tales especially and not only read them, but began making up my own, writing them in pencil on lined paper while sitting in the shade of our mock orange tree. Like Jo in Little Women, II dreamed of writing books. There was a large field behind my best friend’s house with an enormous oak tree. There I would sprawl on a large branch with a book and bag of apples and spend hours reading and munching away.

When I got older, I would spend my whole allowance on books. There was a drug store in my very small town with a rack full of pocket paper backs, including collections of weird tales. They were a bit adult and disturbing for me, but I was quickly addicted. In our small local library — I might have read every book working my around the shelves — I found interesting collections of fairy tales re-tellings, and ghost stories  like The Haunted Looking Glass, including stories by Wilkie Collins, Algernon Blackwood, M.R.James, Robert Louise Stevenson, all illustrated by Edward Gorey. I never forgot the tale of The Monkey’s Paw with its warning to careful what you wish for.

Then came the years of Jane Eyre and Wuthering heights, Great Expectations, Edgar Allen Poe, and all of Shakespeare’s tragedies, We Have Always Lived in the Castle by Shirley Jackson… always the dark overcast, the ancient ruins, stately tombs, castles and inbred aristocratic families. There were the wild and fated romances of the Brontes and Daphne DuMaurier’s haunting Rebecca. I read Dracula every winter for years.

When I finally completed my BA degree, it was in English Literature/ Creative Writing. I was publishing poetry and won a couple of prizes for my weird creations, full of witchery and earth magic. I wanted to write fiction, but my professors taught us to be snobs and I had no desire to write mainstream fiction about failed relationships, addicts, disease and death, or being crushed by society. I began to dread expressing the ‘mood’ I was always accused of filling my poetry with. (Now I know that’s ‘atmosphere’.)

I had to move to London to find my stories. Because of my love of the British Gothic Mystery and Romance stories, I suppose it was a kind of coming home.  Living in the land of Shakespeare and Charles Dickens, I was amazed to discover that they weren’t making that stuff up!

Anne Rice revived the Gothic Tradition in the 1970s with her classic Interview with a Vampire. Her books had a huge following and a powerful impact on popular culture. Lately we have had Twilight, but though Stefani Myers uses Gothic monsters like vampires and werewolves, I’m not sure her books are Gothic. What do you think?

In the 1980s I found a copy of The Bloody Chamber in a bookshop and was electrified. I wanted to write like her. In England I found Tanith Lee’s Red as Blood and I wanted to write like her. I have done so and all of the short stories I wrote under the influence of these modern Gothic authors have been published. I am unknown, so those Gothic Faery Tales are yet to be collected under one cover. Someday… Brides of Darkness shall be brought out to my dedicated fans… 🙂

Now I am releasing the novels I have been working on over the past 13 years. I aim to reignite the old Gothic style of atmosphere and suggestion, dark shadows (I used to RUN home from school to watch that!) lurking menace, doomed love and sorcery.

I do not wish to glamorize the darkness, but rather peer behind the spangled veil. What one finds there, is the essence of the Gothic thrill that has such sway in some of our imaginations.

Angela Carter werewolf image found at www.bluebeany.com

Get my novel The Roses of the Moon I: Mara on Amazon Kindle Books

The Roses of the Moon I – Mara

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On Kindle Today: The Roses of the Moon I: Mara

The personal story of Countess Bathory was thought to have been lost forever, walled up in a dark tower to die with her, leaving only the breath of high scandal on the wind. But her secret life was not lost. Her previously unknown daughter, Mara, preserved her mother’s memory in the guise of the enigmatic Countess Orzebet, the most beautiful woman in the world, and mistress of the Black Arts.

The tale that Mara tells is legendary, but there is an underground stream. Here are mysteries revealed, secrets told, and masks stripped away as the daughter of the seven-headed dragon, the Bloody Countess, steps through a magical triptych of darkness into the light.

“Out of the windy night came a scream.

What is happening in the Countess’s chambers?

“I do not wish to remember…”

In the mountains of Royal Hungary, in a castle as old as time, Mara records a courtly life, a Danse Macabre winding through the shadowy realms between good and evil, reality and illusion, love and dark deception…

 

Watch this blog for give-aways and other events celebrating the release of this novel of Gothic Fantasy

Cover Design Credits:

Model Credit to  http://la-chatte-noire.deviantart.com/

Cover designed by  Angela Holmes at:  http://www.romancenovelcenter.com/angelaholmes

Buy the Book!

Amazon Kindle/ Alyne DeWinter

http://amzn.to/12rRRVk

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